According
to Barry Blesser's and Linda-Ruth Salter's Spaces
Speak, Are You Listening? Aural architecture refers to the properties of a
space that can be experienced by listening (Blesser and Salter, 5). In other
words aural architecture is anything is a space that changes the way a listener
will perceive sound. In the way that cathedrals are built to help the sounds of
music reverberate off the walls or how towns have an aural architecture that
arises from its natural topography and buildings. Apparently aural architecture
is not always planned out and is sometimes just a coincidence. Aural
architecture isn’t really a profession or practice, but rather a tool that can
be used for different purposes.
“A related
kind of social grouping is the professional subculture whose members study,
design, or manipulate special attributes for the purpose of creating aural
experiences for others. Often these professionals do not realize they are
functioning as aural architects,” (Blesser and Salter, 8). One of these subgroups
is obviously cinema. Sound is important to film. Knowing how to use space to
create sound is important to film.
An aural
architect, who is both an artist and a social engineer, is someone who selects
specific aural attributes of a space based on what is desirable in a particular
cultural framework (Blesser and Salter, 5). An aural architect is not always a person and
even when it is a person, they are not always concerned with what sounds best,
but rather what looks best (ie: city planners).
I hope to
be able to use the idea of aural architecture in my future work. Both with this
class and future classes.
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